“EXPLAIN HOW YOU WOULD TEACH YOUR LEARNERS PLACE VALUE” and “Explain in detail how you teach ABET level 1 learners fractions” are two recent requests from readers of this blog. (ABET stands for “Adult Basic Education and Training” and is a term used in South Africa as well as other places.) Continue reading
Yesterday I talked about how hard it is to be a “caring ear” for all the students who need one, and I propose today to outline my strategy for supporting students without being overwhelmed by their needs. I wouldn’t say I’ve ever perfected this strategy, but practicing has helped keep me on a more even keel, and given me more choice about when I choose to be the caring ear. Continue reading
When students can match 1/4 with 25% with .25, you know they have some understanding of the value of each.
When they go on to the much more difficult matching of 79/1000 with 7.9% and .079, you know their understanding has deepened.
When you ask for an explanation of their work and they don’t start and end with “Move the decimal to the left two spaces,” you know they are on to something!
Here’s a social math activity that extends the skill practice exercises in the workbook and online. A fuller explanation and all materials needed can be found on page 92 here in Changing the Way We Teach Math. Continue reading
Instead, I hear a chorus of questions: “What’s my mark?” “How come there’s no grade here.” “What did I get?”
“I don’t give grades for writing,” I say.
When asked why, I give the real reason: I value my time and effort. Continue reading
If you’re a kid who can’t sit still, you get into a lot of trouble in elementary school. Kids like that often drop out, or fail to graduate with the classes and grades required for further training. To catch themselves up, they come back to adult literacy, ABE and GED programs, but they are still people who have a hard time sitting still!
Unfortunately for them, and for us who teach them, the cheapest and most readily available material for adult students often requires a lot of sitting still in front of a workbook of some kind or in front of a screen. Continue reading
- Listen, Really Listen
- Yes Means Yes
- Make Your Teaching Transparent
- Say How You Feel
- Refuse to Give Advice
All five strategies are written up in one article published in the ELMO Review. (Click on the image.)
Any thoughts on these strategies as a whole? What’s your most useful strategy or habit for building strong relationships with adult learners?
If you’re trying to have a more equal relationship with students, refusing to give advice is the best policy. Here’s my advice about giving advice to adult literacy, adult basic education or GED learners.
Watch the video, from Literacy Nova Scotia’s collection of videos called The Teaching Toolbox.
(You will find all five written up here.)
Like most of us I can’t hide my feelings. They show on my face, or in the set of my shoulders, or the sweaty palm prints I leave on the desk or table. Most students (like anybody else) will assume that my feelings have something to do with them. Here’s an example:
I’m in the middle of teaching and the student asks me to explain something again. (He still doesn’t get it after the third time.) I’m about to start the explanation when I notice the clock and suddenly remember that I have to cut this session short for an emergency meeting about a crisis in the program.
All my feelings about the meeting come over me–worry, wonder, anger, confusion, etc. These feelings show on my face or in my body–tight lips, far-away look, and hunched shoulders. Continue reading
Much of our work is invisible to adult learners in literacy, Basic Education or GED programs. At worst, they see us as people who know everything and get paid well for showing up for short days and short years and bossing them around.
At best, they think we’re wonderful people who have all the answers and are helpful and patient and don’t do anything between sessions with them. Continue reading
Over the years, those were the two sentences I most hated to hear from a student. I dreaded reading the poems, because I expected them to be really bad poetry, and depressing. I was always right on both counts. Continue reading